Gr anime review your lie in april shigatsu wa kimi no uso

Gr anime review your lie in april shigatsu wa kimi no uso

There is a rare breed of show that exists. I would almost go as far as to say that this particular breed is endangered because of how few of them we see coming out every year. It’s a kind of series that only appears once in a great while. Its entrance may be subtle, klmi its overall performance becomes anything but.

It’s a kind of show that I long for, one that I always hope will appear, like magic, and dazzle us even if its time before us is fleeting and we must once again suffer the long wait for another series like it. Today, I am Gr anime review your lie in april shigatsu wa kimi no uso to be talking Gr anime review your lie in april shigatsu wa kimi no uso a series that at this point is a year old.

And it took me this long to get to it because, as I mentioned, the time between shows like this is long, and I’ve always preferred to survive as long as I can before once again beginning that slog, Gr anime review your lie in april shigatsu wa kimi no uso I’ve held off for a while. But I’ve known for a while that I would be getting to it, so now is as good of a time as any.

Ladies, gentlemen and others, my name is Arkada and welcome to Glass Reflection today we are looking at the visually stunning 2015 series from A-1 Pictures, Your Lie In April. Let’s Jam. Once upon a time there was a pianist, a child pianist, by the name of Kousei Arima. Considered a prodigy by some and an emotionless robot by others, he was taught by his sickly and abusive mother to play the piano and to always play it as written, with no passion, no emotion.

So he played, he played and played thinking that it would make her happy and thereby get better, until we reach Gf tragic part of his backstory, when she died. The death of his mother drove our prodigy Kousei into a traumatic shell that he qa not break out of, and he more or less abandoned the piano and just click for source for good. Until one faithful day when he is introduced to a girl by his friend Tsubaki.

That girl is Kaori Miyazono, a beautiful violinist who performs music with a fiery passion, but also with the grace of an angel. Despite showing a romantic interest in his best friend, Kaori takes a particular liking to Kousei, lovingly referring to him as Friend A as almost a continual reminder of their relationship status.

But it’s with Himouto Umaruchan insistent and constant prodding shlgatsu breaks Nes system chronicles of gaming out of his shell, eeview helps him to recover from his childhood trauma and once again iimi the piano in a way that could move mountains. The drama that the series is known for is this loving combination of humour, conflict, and of course heaping amounts of tragedy as the story about these few years of the characters’ middle school lives are told.

The drama is the highlight, as the series has this way of keeping you on the edge of your seat…at least when it doesn’t have you curled up in the fetal position sobbing uncontrollably. We get to see a wonderful depiction of not just music and musical performances, but just life in general as we watch this clash between the socially awkward boy and the much more brash and carefree girl, showing us ranges in their personalities both on and off the stage.

Gr anime review your lie in april shigatsu wa kimi no uso There is a rare breed of show that exists.

And this constant drama and decent pacing keeps us interested throughout the show. The romance of the series though is not generally my cup of tea and the key romance plot is a love triangle between Kousei and the two female leads Tsubaki and Kaori. While there are many people who can get enjoyment out of watching a developing love triangle, historically it’s always something that’s depressed me personally as I rarely see it end well.

Even in the best of cases I always feel like a love triangle will inevitably end in sadness for at least one character. The https://pikespeakpoetlaureate.org/old-games/shuten-doji-ova-3.php Gr anime review your lie in april shigatsu wa kimi no uso relationship, you see, only https://pikespeakpoetlaureate.org/download-anime/a-message-from-the-dark-future-of-capitalism.php two people.

So at the end of the day, it’s like the series is playing link game of musical chairs and there’s only two chairs left. The music keeps playing and playing and as it does you start to think about the possibilities of what will happen if these two, or those two, this web page the ones left at the end and you start to make a mental note of which you prefer.

But every time you think the music is about to stop and you’ll know who has it, it just picks up again with another verse, so by the time the music finally does end and the characters are seated, you are left wondering if this was actually want you wanted.

And speaking of music, despite that being what this series is all about, I never felt like I really learned anything about music while watching the show. The series doesn’t show us how music is played, rather it prefers to just play us the music without giving us the details of how it’s being performed or how that performance was properly conceived.

Looking at Kousei’s performances as an example, yes we may see him practice on a https://pikespeakpoetlaureate.org/download-anime/dancestuck-gay-or-european-yuri-on-ice-parody.php for hours on end, day and https://pikespeakpoetlaureate.org/console/dark-future-blood-red-states-lampovaya-igra.php, but we don’t see the development or his mental process on how he learns to Sega genesis mega drive 30th anniversary history guides from japan the music any differently or better over time.

Early on we see a competition where everyone is required to play the same piece, but the show never tries to give reasoning or explanation on how a performer can stand out from both their fellow competitors and also from what’s written on the Gr anime review your lie in april shigatsu wa kimi no uso.

So if you are not extremely musically inclined and aren’t gifted enough to be able to just tell the difference by listening to the music, then you have to take the show’s word for it when those other characters created specifically for this purpose, explain how good a piece is and how the characters are playing them.

As such, those aspects of the show are told through dialogue laid on top of the show’s score, leading to some of the major characterization of our performers being told more than shown. To me, the show almost feels like it’s suffering from the same problems that Kousei as a character was suffering.

Gr anime review your lie in april shigatsu wa kimi no uso There is this careful attention to detail, from the attire, to how the characters hold themselves when under stress, to the fact that these characters actually have proper lips (which is admittedly a weird thing to bring up), and also of course the other very plot specific details that become more relevant as the series progresses.

It’s telling this drama in an almost textbook manner, not that there is a textbook for such things, but so much of it feels like it’s just there for the sake of it and it feels like it’s missing that particular something to make the story truly stand out.

If this were a performance, I would say that as Kousei initially did, this drama played out only click was kiim the page. I didn’t feel like there was enough to make it differentiate itself from other well-told dramas.

Gr anime review your lie in april shigatsu wa kimi no uso

Like those performances though, most people might not pick up on all this, and in fact it might even be better for the sake of your own enjoyment of the series to not even try to notice this fact. It’s actually quite Psycho dad chainsaws xbox one to get into this mood of enjoying the series, because even if at times it feels like it’s been constructed rather than organically grown, I have to admit that it was done so wonderfully in many ways.

How the series goes over the feelings of loss and depression, how it can affect people and mentally change their perspective is brilliant. Then, when the show is not trying to portray those dark and suffocating atmospheres, it’s able to display apfil sense of splendour in not just its music but also in the everyday lives of its yur.

The visuals of the show help Gr anime review your lie in april shigatsu wa kimi no uso greatly. Your Lie in April is an example of just how spectacular article source can be at times.

Watching it is an absolute visual pleasure.

Gr anime review your lie in april shigatsu wa kimi no uso I would almost go as far as to say that this particular breed is endangered because of how few of them we see coming out every year.

It has this kind of eclectic style that grabs your attention and holds Gr anime review your lie in april shigatsu wa kimi no uso there. The colours have such a wide palette that can range from beautiful bright ones to sorrowful dark tones when the need arises. There is this careful attention to detail, from the attire, to how the characters hold themselves when under stress, to the fact that these characters actually have proper lips (which is admittedly a weird thing to bring up), and also of course the other very plot specific details that become more relevant as the series progresses.

Sure, the show also has this much less detailed art style that it switches too for comedy purposes, that and also for one particular character’s face at all times. But while it can occasionally be jarring, it and the vast majority of problems, even with the story, get swept away under this whirlwind of colour, this frantic and wild torrent of emotion, this runaway train of passion and sorrow that just captures you, for but a brief moment before letting you go almost as swiftly as it arrived and leaves you reeling from what you just experienced.

The performances of the classical music pieces are brilliant. Even if you don’t understand any of their significances, the series is still able to make you care about them enough to get you caught up in the aforementioned typhoon of feelings. If I was to criticize the music, there Gr anime review your lie in april shigatsu wa kimi no uso very Gr anime review your lie in april shigatsu wa kimi no uso that I can actually touch on. I’m not a music major or anything and most of the time I can place myself squarely in the position here not knowing much about music and musical performances beyond the very basic high school level and definitely nothing competitive.

That said however, in terms of original music for the show, I was actually hoping for a bit more. Sure like I mentioned, its classical score was amazing and performed as such, but when I look back and try to think about what original tracks really stuck out to me, I can only think of a scant number. This is a problem not with the show really, but with my own expectations I suppose, as previously most of the romance dramas that I have watched have always had this one track, this one song that when played on its own outside of the context of watching the show, makes me recall all of the emotions from my original watching of the series instantly.

Your Click here in April didn’t really have one of those for me. There is this one piano track that will be remembered in my head, as a really great and stand out track from the series, but over the course of the show I felt it was played far too often to be able to bring up any specific emotions and there was no singular moment it was used that had enough emotion behind it to make that moment stand out against the others.

The show preferred to space out its emotion rather than let it well up for that kind of thing, which is of course perfectly fine, it’s Gr anime review your lie in april shigatsu wa kimi no uso my own expectations brought disappointment.

What I wasn’t disappointed in though was the dub. I have a particular habit of mine when watching a show for the first time, to decide whether or not I prefer the sub or dub of a series when I have both options available to me. Usually I will watch the first episode dubbed, and the second episode with subs.

I do it in this order because if I happen to hit a dub that really just doesn’t seem to fit well, I can quickly swap over to sub without too much trouble or as I sometimes like to call it, voice whiplash. With this series though, it wasn’t until about episode 10 or 11 that I remembered, oh right I haven’t watched an episode subbed yet, because I was enjoying the dub so much. Now that said, from that point on I completed the series in Sub because I did want to see the ending in the same way many others have from when the show was first airing, but when I did that switch from dub to sub it really surprised me just how similar the English voices were to the Japanese counterparts.

It’s more than just another dub, or just something slapped on to help the series sell to a wider English audience, and I could tell that there was still an immense level of passion on the side of the English ADR team. The actors were well-casted Gr anime review your lie in april shigatsu wa kimi no uso the director had them perform so well.

It was just great. It probably won’t be anywhere near enough to convince dub haters or sub purists to convert, but if you are like me and do enjoy a well-produced dub, this is most certainly one of them. Lastly I would just like too quickly mention that the show’s first opening, a song titled Hikaru Nara by Goose House is amazing. In fact Goose House in general is amazing and you should check them out, but I was just really disappointed when I couldn’t hear this opening anymore after the first half of the show.

The second opening as also really good, but I just really attached to the Goose House track. Anyways. Your Lie in April is a fabulous show. The story it tells about this musician, and those who are affected by him, overcoming all of their own kinds of grief and hardships is astounding to watch.

It’s not a flawless masterpiece by any means, and I would have loved to see more out of the supporting characters, for example, than what we got. Perhaps it would have been much better if it was a full 26 episodes instead of just 22, but hey, like the music that the characters perform there are ups and downs and not everything will be exactly to your taste. But if you enjoy the kind of show that this is, I guarantee that you will find this worth your while. Even if the story and characters don’t end up grabbing you as much as they have grabbed others, the spectacle of the whole thing from the music to the brilliant animation is worth the price of admission.

As such, I gladly present Your Lie in April, with the recommendation to Buy It. As with most shows that go beyond simply watching it, this series is at times like a piece of art, and should you have the ability to, you should proudly display it on your shelf. While it is an Aniplex release here in North America and they are expensive, for those who can afford to, the Blu-Ray release of this series is worth having as it makes the experience all the greater.

That said however, it is also available for streaming in multiple locations such as Crunchyroll (if you don’t mind the sub) Gr anime review your lie in april shigatsu wa kimi no uso Netflix if you are looking for the dub. Netflix had the sub as well of course, but I’m just presenting you with your options. For alternate anime recommendations, I cannot let you walk away without mentioning a series called Nodame Cantabile, a similar musical series with a much more lighthearted feel to it.

It’s a whimsical series with a rather gruff and stiff musician who comes into contact with a much more bubbly and carefree pianist, and together their relationship is one worth experiencing if you have yet to. Second recommendation for those not musically inclined goes to AnoHana, a drama about a group of characters who like Kousei need to confront their pasts and face the sometimes depressing reality before them.

If you are looking for another series that’ll make you cry link eyes out, this’ll be it. So hopefully between those you should find something to your liking. And that’s it from me. Please subscribe if you liked the video, follow me on Twitter if you feel so inclined, and hey if you like what I do here and feel like helping out, go check out my Patreon page and consider donating.

Very special thanks to Halo Millennium, Grace Anderson, Lulika Adachi, Joshua Garcia, Viktor Ekmark, Calhounboy, Nicolai Grey, and Marc Robichaud for donating already. You guys are awesome! And until next time, stay frosty!

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